在线阅读本书 Book Description Remarkable, bewildering, totally irresistible - India offers a million different experiences, all at once, all the time. If you seek spiritual enlightenment, the thrill of scaling the mighty Himalaya, or the buzz of a modern hypermetropolis - or if you just want to lie on a tropical beach and count cows - discover the sensory overload that is India wi...(展开全部)

For more than thirty years, Harry Gruyaert has been recording the subtle chromatic vibrations of Eastern and Western light. His photographs attest to his singular vision: his interest in story, public space and unexpected scenes. This book brings together 125 of Gruyaert's photographs of India, many published here for the first time. From Gujarat to Kerala, Gruyaert captured th...(展开全部)

Born 1928 in Nishinomiya Lived with an American living in Japan, Meredith Weatherby, a housemate of Donald Richie's Worked as an extra in films by Nikkatsu Studios "Yato" was his assumed name Published 3 collections of photographs Friends with Yukio Mishima Died in 1973 Tamotsu Yato, a photographer working in Japan from the mid-60s to the early 70s, created images of Japanese m...(展开全部)

Quatrième de couverture C'est l'histoire d'un amour, vécu aux Indes, dans les années 30, dans une ville surpeuplée des bords du Gange. Deux jours de cette histoire sont ici évoqués. La saison est celle de la mousson d'été. Quatre voix sans visage parlent de cette histoire. L'histoire de cet amour, les voix l'ont sue, ou lue, il y a longtemps. Certaines s'en souviennent mieux qu...(展开全部)

Unseen voices narrate this story of the affair between the haunting Anne-Marie Stretter and the disgraced French vice-consul in Lahore. In the India of 1937, with the smell of laurels and leprosy permeating the air, the characters perform a dance of doomed love to the strains of a dying colonialism.

阿南德·格里哈拉达斯 作者的父母曾是印度人，后移民到美国并定居。他毕业于密歇根大学，之后到达印度孟买，担任麦肯锡公司管理咨询师。2005年起担任《国际先驱论坛报》、《纽约时报》网站专栏作家，为其报道和撰写来自孟买的新闻，本书就是他多年观察和研究印度的深刻总结。

Music＝Footage≠Music ◎帮音乐配影像难 还是影像配音乐难 其实这不重要 因为我都会 Is it harder creating music to go along with footage？ or creating footage to go along music ？ It’s not important , because I can do BOTH！ ◎ 继「D调的华丽」后 睽违六年 周杰伦首部MV导演全纪录写真图文书 MV侧录照+ 周导随笔 + 造型剖析+ 剧组人员谈导演 / 40多部音乐录影带 =周杰伦

With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthe...(展开全部)

Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to th...(展开全部)

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a comp...(展开全部)